Fantastical Forms and Where to Find Them: Improvisation and Formal Freedom in César Franck’s Symphonic Thinking
Published by
Revue belge de Musicologie
Summary
journal-article
Kelvin Lee
Work
University of Leeds
|Visiting Research Fellow
United Kingdom of Great Britain and Northern Ireland
→
The Graduate Center, CUNY
|Visiting Research Scholar
US
→
Fonds Wetenschappelijk Onderzoek Vlaanderen
|Junior Postdoctoral Fellow
Belgium
→
Katholieke Universiteit Leuven
|Postdoctoral Fellow
Belgium
→
Education
Durham University
United Kingdom of Great Britain and Northern Ireland
→
PhD in Musicology
Durham University
United Kingdom of Great Britain and Northern Ireland
→
Postgraduate Certificate in Learning and Teaching in Higher Education
University of York
United Kingdom of Great Britain and Northern Ireland
→
MA in Conducting
University of Hong Kong
Hong Kong
→
MPhil in Musicology
Publications
Form as a Relational Object: Two Stories of Metrical Dissonances, or a Music-Historiographical Lesson from George Enescu
Published by
Between Centres and Peripheries: Music in Europe from the French Revolution to WWI
Summary
book-chapter
Generic Plurality and Two-Dimensional Unity in Medtner’s First Piano Concerto, Op. 33
Published by
Nikolai Medtner: Music, Aesthetics, and Contexts
Summary
book-chapter
Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony
Published by
Music Analysis
Summary
journal-article
Review of Organized Time: Rhythm, Tonality, and Form by Jason Yust
Published by
Notes
Summary
book-review
Rethinking the Symphonic Poem: Dialectical Form, Sequential Dissonances and the Chord of Fate in Schoenberg’s Pelleas und Melisande
Published by
Musurgia
Summary
journal-article