Neoliberal Reason, Contemporary Music, and Proximal Critique
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Twentieth-Century Music
Summary
journal-article
Samuel John Wilson
Work
Guildhall School of Music and Drama
United Kingdom of Great Britain and Northern Ireland
→
London Contemporary Dance School
United Kingdom of Great Britain and Northern Ireland
→
Publications
Afterword
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New Music and the Crises of Materiality
Summary
other
Contemporary composition and/as plastic art
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New Music and the Crises of Materiality
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other
Introduction
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New Music and the Crises of Materiality
Summary
other
Natures and ecologies of composition
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New Music and the Crises of Materiality
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other
New Music and the Crises of Materiality
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other
On the ‘material’ of musical material
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New Music and the Crises of Materiality
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other
Orientations and the piano-object
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New Music and the Crises of Materiality
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other
The (dis)possession of the musical body
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New Music and the Crises of Materiality
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other
The composition of posthuman bodies
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New Music and the Crises of Materiality
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other
Musical Time in a Fast World
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The Oxford Handbook of Time in Music
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other
Strategies of Conquest and Defence: Encounters with the Object in Twentieth-Century Music
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Journal of the Royal Musical Association
Summary
journal-article
INTRODUCTIONMusical Materialisms (Plural)
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Contemporary Music Review
Summary
journal-article
Notes on Adorno’s ‘Musical Material’ During the New Materialisms
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Music and Letters
Summary
journal-article
Tim Rutherford-Johnson, Music After the Fall: Modern Composition and Culture Since 1989 (Oakland: University of California Press, 2017), ISBN 978-0-52028-314-5 (hb), 978-0-52028-315-2 (pb).
Published by
Twentieth-Century Music
Summary
book-review
Does the psychoanalysis of music have a ‘subject’?
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Music—Psychoanalysis—Musicology
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other
Introduction
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Music—Psychoanalysis—Musicology
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other
Music—Psychoanalysis—Musicology
Summary
other
The composition of posthuman bodies
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International Journal of Performance Arts and Digital Media
Summary
journal-article
Valentin Silvestrov and the symphonic monument in ruins
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Transformations of Musical Modernism
Summary
other
After Beethoven, After Hegel: Legacies of Selfhood in Schnittke’s String Quartet No. 4
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International 'Review of the Aesthetics and Sociology of Music
Summary
journal-article
Building an Instrument, Building an Instrumentalist: Helmut Lachenmann's 'Serynade'
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Contemporary Music Review
Summary
journal-article